Welcomed Rejection Letter!

elephant river

Rejection can be painful. Most of us don’t enjoy receiving a thumbs-down for writing we’ve submitted to potential publishers or agents. Yesterday’s email held a letter regarding a submission I’d made last July to a children’s magazine. Yes, they’re running behind, as the website says they’ll get back to those who submit in one month’s time. I’ve grown to expect those types of delays. With books and stories for kids, no response at all is often the norm, unless they want to publish your work. Even when responses are sent, they’re often generic and give no advice. Why was this a welcomed rejection?

Although an acceptance on this story would have been wonderful, I certainly appreciated the letter. It was personalized and contained insights from multiple readers as to how I could fashion this as a stronger piece of writing. The suggestions were sound and offered in a very positive manner. Because I’ve continued to tweak this story during the past year with the help of my critique groups, I’ve already resolved some of the issues. A few of the ideas remain to be addressed. Yesterday was a good day. This rejection meant that the effort taken to submit was worthwhile and that someone read my story.

You might be wondering if the Pixabay images signify rejection as “the elephant in the room.” In fact, the pictures are related to my story, which is based on a true childhood event. More about that in the future, I’m sure. Feel free to share your experiences with rejection or feedback from publishers and agents in the comments. Keep writing!          ~Becky

elephant bathing

 

February 8 – It’s Children’s Authors’ and Illustrators’ Week — re-blog from Celebrate Picture Books!

Visit Celebrate Picture Books to read about this fun book related to punctuation and writing!     ~Becky

About the Holiday This week was established to raise awareness and promote literacy and the joys and benefits of reading. During the week, children’s authors and illustrators attend special events at schools, bookstores, libraries, and other community centers to share their books and get kids excited about reading. To learn more about how you can […]

via February 8 – It’s Children’s Authors and Illustrators Week —

Don Freeman: the Winding Path to Children’s Bookshelves

Come One Come All Don Freeman cropped copty

I recently wrote about my “fantastic find” at a bookstore of a signed copy of Hattie the Backstage Bat by children’s author, Don Freeman, which also sports an original illustration! This made me curious to find out more about the person, himself. I learned that he had written an autobiography as a young man before he and his wife had become published in the world of children’s literature.

The book, Come One, Come All, tells about his somewhat unusual childhood in California and his very early dreams about moving to New York and becoming an artist. It recounts his later struggles in New York, during the Depression, first supporting himself by playing the cornet in dance bands. We follow Mr. Freeman as he finally squirrels away enough savings to take painting classes with the inspirational artist, John Sloan.

Eventually, Don Freeman seems to find his artistic niche behind the scenes in the world of the theater. Some of his articles and illustrations were published in newspapers such as the New York Herald Tribune, the New York Times, and PM, in addition to making appearances in publications such as Stage and Theater Magazine.

Readers interested in the heady atmosphere of New York leading into the early 1950’s will find this to be a very interesting window into that period. The book ends happily with Don and Lydia, a young woman he had met earlier in California, getting married. We say goodbye to them as they are both experiencing their first tastes of professional success. What really grabs me about this well-written and charmingly illustrated book is that they had no inkling at the time how successful and admired they would later become in the realm of children’s literature.

This 244-page book was not a simple one to find! A few copies were available through Amazon or eBay for hundreds of dollars, each. That wasn’t going to happen, as much as I wanted to read it. Hurrah for WorldCat, the inter-library option, and I did find the book listed there!

The copy that I borrowed was through a university’s library and has been rebound, so no longer wears the interesting, illustrated cover shown above. No matter, since this copy DOES have something else that I find to be so intriguing. Tucked into the back is what I imagine to be the original card! This chronicles check-out dates in the 50’s through 60’s and being “mended” in the early 70’s. The borrowers’ names have been blacked-out, as shown, below. I love those old library cards and treasure a few used books in my personal collection that contain these. Digital means of book management are efficient, but sometimes I feel sad that we’ve lost a certain sense of history in the transition.

library card 2 001

Fantastic Find at the Bookstore #1

hattie

Many of us are in agreement that we love bookstores. My favorite establishments are those that also offer used books and assorted vintage goodies, such as magazines, music and other miscellany. Although not widely traveled, I have wonderful memories of great bookshops spread from Duluth, MN, to Williamsburg, VA, with many in Michigan and Canada sandwiched in between.

As you can well imagine, I’ve made memorable “finds” in those visits. These items tend to fall into two groups: something specific I was looking for, or a totally unexpected piece. The coup that I will relate today definitely falls into the “unexpected” category.

Prior to my recent move to Texas, I had also lived and worked in this state for some years when my children were young. Before heading back to my home state of Michigan, I began studies toward earning elementary education certification and fulfilling my quest to become a teacher. Denton, Texas, being the home of two universities, is a logical place for a used bookstore, of course. Recycled Books, Records, & CD’s , at the time I lived there, was already bursting its seams at a small location, and is today housed in a larger spot within a former opera house in the picturesque town square.

That day, I had at least one of my daughters with me, and we were just scanning the small children’s section. An author’s name on a hardcover picture book caught my eye…Don Freeman of Corduroy fame. The title, Hattie the Backstage Bat, wasn’t familiar to me, so I decided to take a look. It was a former library edition, in good shape, with no tears or other visual damage. I then looked toward the front of the book to notice that it had belonged to the local, Emily Fowler Library, and at one time been sold out of the library’s used bookshop, before ending up at Recycled Books and priced at $1.50. Turning the page, I was astounded to discover this:

Don Freeman jpeg 001 (2)

I can just imagine Mr. Freeman visiting the library during the year following publication of this book, meeting the eager listeners, and producing this original drawing for them right on the spot. Yes, Hattie’s blue hat did get a little smudged, and unfortunately an uninformed or overworked library worker  stamped “discard” in the middle of her left wing. I love it, just the same, and will treasure this book always! As an added bonus, the story is charming, and I shared it (along with other Don Freeman titles) with countless children during my years in the classroom.

In doing a little more research on this author, who died in 1978, I find on a lovely website, run by his son, that he was not only an author and illustrator of children’s books, but also a painter and lithographer who “vividly portrayed the street life and theater world of New York City in the 1930s and 40s.” That site contains a wealth of information and images, so you may want to take a few minutes out of your day for a visit.

What is your favorite “find” from a bookstore?

~Becky

 

I’m a Guest at the Smorgasbord End of Summer Party…Join us!

 

Welcome to the first of the end of summer posts this weekend. There are three meals today, Brunch, Afternoon Tea and Dinner this evening… and tomorrow Sunday Lunch. I hope that you will be able to visit at least one during your day. […]

via Smorgasbord End of Summer Party – Brunch Meet Robert Goldstein, Victoria Zigler, John W. Howell, Becky Ross Michael, Jemima Pett, Marcia Meara, Luna Saint Claire and Anita Dawes — Smorgasbord – Variety is the spice of life

Critique Group: what we bring to the table

 

The first Wednesday evening of each month finds me at the local library rearranging the tables for critique group. This gathering of writers and illustrators for children’s works has taken place for about 18 months, now, and has evolved a great deal during that time. Attendees come and go with their own particular needs, which is to be anticipated with this type of group, and a usual core of ‘regulars’ shows up on a dependable basis.

Members include those who are traditionally and self-published, in addition to those who are seeking their first publication, or who might just enjoy the process of writing. We share our works in progress, give voice to our successes and disappointments, offer praise and helpful advice, in addition to discussing common concerns related to our craft and industry.

I think that the biggest change I have seen during this time is the wide variety of creations that those attending bring in to read, show, and discuss. Yes, writers still share complete and partial picture books or chapter book texts. In addition, we’ve mulled over many a query letter and just had our first taste of a press release, as well. Illustrations now run the gamut from sketches to full-color renderings and include those to be used in picture books, magazine/newspaper stories, social media banners, and for pure inspiration!

Bottom line, there’s a great deal of “work” and communication that needs attention, beyond the specific written and/or illustrated products that we hope to publish. Within our ranks, we’re finding a supportive environment for ALL of those needs, and we’re each adding to or reinforcing our personal knowledge with every new encounter.

I can hardly wait to see what the second half of this year brings!

If YOU belong to a critique group, I would love to read comments about the types of works that are shared.

~Becky~

 

Recipe Notebook from the Past

Laurium House
Vintage photo of unknown neighbors and what years later would become my home. The border is formed from wallpaper recovered within the kitchen walls!

Decades ago, my former husband and I bought a fixer-upper home that had been built around 1900 in a small town of Michigan’s Upper Peninsula. The house needed tons of work, and we basically lived upstairs while we began remodeling the first floor. When I say “we,” I mean mainly that he did the carpentry, and I cleaned up during and after the work was completed.

Since the kitchen was on the first floor and needed to be functional as soon as possible, that room was one of the priorities. While taking out the drawers in the kitchen for painting and new hardware, a small notebook was found jammed into the deep, dark depths of a cabinet. The booklet’s pages were somewhat discolored, and the brown, waxed cover bore the words “Memorandum Book.”

Within those lined pages, I discovered a delightful collection of handwritten recipes and helpful household hints. Some of them were even affixed with what must have been the names of the owner’s friends who had shared, as I recognized several of the last names of families living in that and the neighboring town. The penmanship style was similar to that of my mother or aunts who reliably sent letters to keep up on family news. I felt like I had struck gold.

Many of the recipes were desserts, although some were of casseroles or various types of vegetable and meat dishes. Two different versions of the Cornish meat pie regional specialty called the “pasty” were offered. Household hints ranged from a mixture that could be used to soften a hardened paintbrush to a home remedy for cough syrup.

When we said “goodbye” to that house some years later, the notebook found a new home in my paternal grandmother’s wooden recipe box and left with me.

I was recently encouraged to see that an online author acquaintance, Karen Musser Nortman, had put out a call for camping and/or Upper Peninsula recipes to accompany her current Frannie Shoemaker Campground Mystery, which is set in the area. I’m happy to say that the directions I submitted for pasties, “cry baby” cookies, and pasta sauce, all copied from that old notebook, now appear in the fiction book, Real Actors, Not People. What a fun way to recycle a few of those rescued recipes!

~Becky~

Inspired by a Dream

winter scene from Pixabay.jpg no attrib. req.It began as one of those dreams where the setting and events that were unfolding seemed simultaneously familiar yet unfamiliar. Instead of watching the vision like a movie, I was taking part and looking out through the woman’s own eyes toward three children gathered around a kitchen table. A snowy scene beyond the window was as well-known to me as the back of my hand.

The mood was both comforting and uncomfortable. I started to waken, but willed myself to remain in that place. Every inch of the room was recognizable to me, as were some of the occupants. As I held onto the dream, I knew without a word being uttered what had happened to these people and what their futures held.

Next, I just needed to wake up and write the story!

Several years after that writing, the resulting short fiction, “Slip of the Lip,” now appears in the 2018 edition of the UPPAA’s anthology, the U.P. Reader. That publication is an intriguing mix of fiction, non-fiction, prose, poetry, and photography, with its roots planted firmly in Michigan’s Upper Peninsula. I’m proud to have my writing once again included, along with so many talented contributors.

UP Reader 2nd Edition

What Draws Children to Certain Books?

flicka, ricka, and dicka

During much of my childhood, the public library in our little town was housed in a small area adjacent to the fire station. Each time I arrived at the library with my family, I worried that the fire alarm might sound during our visit. However, I remember a span of several years when I would hurry immediately to a certain shelf where the books by Maj Lindman were lined up, and I soon forgot all my worries.

This author/illustrator from Sweden produced several series of picture books from the 1920s through the 1960s, including those featuring the triplet boys, “Snipp, Snapp, and Snurr,” and also the set of titles built around triplet girls, “Flicka, Ricka, and Dicka.” I’m happy to say that I’ve collected one from each series, which are library editions published in 1960. I see that Albert Whitman & Company has reissued many of these books (some with paper dolls, no less!); but, for me, those actually printed during my childhood mean so much more.

While looking my copies over, recently, I considered what it was that I had liked so much about them as a child. Possibly I can put some of my discoveries to use when fashioning my own books for young readers. I came up with the following factors:

  • Settings – The country’s name, “Sweden,” is stated in two out of the three books that I own in these series. Even when not mentioned outright, the setting depicted in the book feels very different from my neighborhood that was in the midst of a small town in Michigan.
  • Freedom  – Since many of the stories take place on farms or in other rural areas, the children often seem quite free to roam as they please and have many adventures that often involve animals, as well.
  • Names – Beyond the triplets’ monikers, many of the other characters have names that were also unfamiliar and interesting to me.
  • Family structure – Until I was somewhat older and a nearby neighbor gave birth to triplets, I had never known any such families. (Imagine my surprise when that trio was made up of one boy and two girls!).
  • Visually appealing – The lovely, full-page illustrations are so pleasing to the eyes, and many of the editions use a somewhat enlarged and easy-to-see font.
  • Simple stories that often involve extended families – This serves as a vehicle to get the children away from their homes and broadens the story options.
  • Surprise endings or subtle lessons to be learned – As I remember, the resolutions seemed satisfying to me as a child.

All that being said, it appears that some of the books are rather long and run over 1200 words. My mother preferred to read shorter books for story time, especially since I also had an even younger brother. My father usually chose to tell us stories that he made up, on the rare evenings when he arrived home early enough from work. My older sister was always eager to read to me, though, for which I am forever grateful.

snipp, snapp, snurr

Although the type of stories that appeals to today’s children has evolved, I’m sure, I believe that there are still some nuggets of basic childhood yearnings to be found in the pages from our youth. I’d love to hear about your favorite childhood books and what it was that drew you to them!

 

 

 

 

Meatless Mondays – Vegetable Paella: hold the gravel, but don’t skimp on the saffron!

saffron
Saffron

A friend of mine recently expressed a preference for chicken paella over that made with seafood. You know exactly what I was thinking…and the following post is a tried and true recipe for vegetable paella!

I recall an entertaining chapter in Derek Lambert’s book, Spanish Lessons, in which the author’s wife carefully plans a dinner party while they are residing in Spain. Paella will be the main attraction, for which they rent a huge pan to cook the dish over an open fire. In a comedy of errors, two of their “friends” drop the pan and spill much of the ingredients on top of some gravel that had been brought to the yard during their remodel. Not wanting to admit their mistake, the men just scoop up what they can and pick out the obvious pieces of gravel. You can just imagine what happens at the table as the guests begin eating…

No, this recipe doesn’t contain gravel. What is paella, you might ask. It’s a traditional Spanish, or Valencian, dish that contains rice, often various meats or seafood, and a variety of legumes and vegetables. To me, the taste is dictated by the main spice: saffron. Sure, it’s expensive, but adds a deep, earthy flavor that is crucial to success.

Shopping List (amounts vary depending on your preferences)

Saffron
Paprika
Rosemary (if desired: sprig of fresh or dried)
Salt and pepper to taste
Olive oil
Vegetable stock (have at least 2 cups handy, but could also use part water)
Garlic (chopped)
Onion (diced)
Red, orange, and yellow bell peppers (long slices)
Tomatoes (diced: fresh or canned)
Green beans (cut: fresh)
Eggplant (hefty chunks)
Portabella mushrooms (large, cut into thick slices)
Chickpeas (canned or pre-cooked)
Rice (Arborio or other; I’ve used gluten-free with success)

Soak a healthy pinch of saffron strands in a bit of hot water. In a large, low pan, stir fry the eggplant, onion, garlic, and peppers in olive oil to soften. Add rice (at least 1 cup), stock, tomatoes, saffron, rosemary (if wanted) and a few teaspoons of paprika. Bring to a boil and turn down to simmer, uncovered, for at least 10 minutes. Stir as needed, although some cooks like to allow the rice to cake a bit on the bottom of the pan, being careful not to let it burn.

Add the chickpeas, green beans, and mushrooms. Cook about 15 minutes longer, or until the rice is softened and the mixture is thick and bubbly. If you plan to imbibe, a good Spanish red would go nicely!

paella