Winter Gardening for the Soul and Writing Inspiration

flowers and computer

Very few of us are lucky enough to live in a climate sufficiently mild on a consistent basis to grow flowers and tender plants outside year ‘round. Even here in Texas, where I’m visiting my daughters and their families for the holidays, blooms are quite limited. The constantly rising and falling temperatures are certainly a challenge to gardening. I’ve already watched my daughter and son-in-law drag their potted plants into and back out of the garage, where they gained added protection from the frost. Tonight’s plummeting predictions probably point to a repeat performance, as well!

What’s an avid “grow-seeker” to do, to get that gardening fix during the long winter months? Here are a few suggestions:

  • Buy a new and unusual flowering houseplant
  • Invest in grow-light shelves for plants needing more light than your windows offer
  • Force bulbs for spring blossoms all winter long
  • Grow something edible, like sprouts, leaf lettuce, or herbs, in a sunny window or under your grow light
  • Explore the fun of tending a dish garden
  • Check out some gardening books from the library and plan a new garden area for next spring
  • Buy a beautiful bouquet of flowers and meet the challenge of seeing how long you can keep them fresh

I imagine that many fellow writers out there also use growing things, indoors and out, as inspiration in their writing. If the view out your window right now is sadly lacking (I’m lucky to be looking at a blooming rosebush, but the rest is quite bleak), it’s up to you to remedy that situation.

Just the act of writing about this today reminds me that I need to “keep growing”. Besides that, I surprisingly came up with a fun idea for a kids’ book as this piece evolved. I’m keeping that topic a secret for now, but you’ll probably find out more in future posts.

 

Plentiful Pumpkins!

 

It’s that time of year again, where everywhere you turn, there’s a pumpkin meeting your gaze. Many of these winter squash are decorated as jack-o’-lanterns, while some of the plainer varieties repose as decorations that are more refined, or as actual food options at the markets. Often thought of as a vegetable, pumpkin is actually a fruit, because it develops from the flower and is the part of the plant that contains the seeds. On the other hand, vegetables include the leaves, stems, buds and roots of plants.

In recent years, pumpkins of varying colors beyond the traditional orange have been developed, with hybrids showing off shades of blue, white, tan, pink, red and green. No matter the hue, this fabulous fruit ripens throughout the summer and will normally reach its full size by September or October, thus the “harvest” time of year that pumpkin evokes.

How can authors use pumpkins in their writing? Setting comes to mind first, of course. A few well-placed pumpkins in your story or book can tell readers that it’s late summer or fall, whether the action is taking place before Halloween or well after, and might even offer a hint as to where in the world your writing is set. Using designer colors for the pumpkins in your novel? Then your book is probably set sometime after about 2005, when these became more widely available.

Pumpkins might also be used to tell readers something about your characters. Want to show that your leading lady or man is earthy, a hard worker, and probably likes to cook or bake? What better way than to show them hoeing in the pumpkin patch and getting a little dirt under their nails, or cooking up some pumpkin to use in a favorite recipe. Picture a couple pulling into the farmers market and lovingly running their interlaced fingers over the pumpkin options. Don’t tell me that scene couldn’t express fecundity, possible sexual repression or just raw sexual desire!

I’ve even used this member of the cucurbit family in my novel, Romantivores, which I’m currently revising. This portion of the book takes place in November, so I didn’t want any hint of jack-o’-lanterns hanging around. I’ve chosen to employ simple white pumpkins to line the sidewalk leading up to the stone building where one of my protagonists works. Not only can these white wonders indicate the time of year, but I also wanted them to suggest a less relaxed or homey atmosphere than their orange siblings, since there’s danger lurking nearby that is yet unknown to my main characters.

Last, but certainly not least, what about those books that include lists of recipes or deftly weave directions for tasty treats throughout their pages? Recipes for pumpkin can fill a cook’s needs throughout the day, from breakfast pancakes to tummy-warming soups at lunch or sweet desserts to finish off a delicious dinner. One of my favorite uses for pumpkin appears below. I came upon this easy idea one day when the bananas on my counter weren’t ripe enough for my usual lunchtime smoothie, and I found a can of pumpkin hiding in the dark recesses of my kitchen cupboard.

SQUOOTHIE (Squash Smoothie:)

1 cup cold almond milk (or your favorite milk product)

½ cup pumpkin (chilled is best)

1 tablespoon honey, or your choice of sweetener

¼ teaspoon vanilla

dash of cinnamon or pumpkin pie spice

Blend and enjoy!

Options: Ice, banana, peanut butter, cumin, bee pollen, or yogurt in place of milk

 

Uprooted and Transplanted: ‘Moving’ and ‘Starting Over’ as Themes in Writing

roots by lake superior

I’m moving to a different city in Michigan’s Upper Peninsula in a few weeks, so that’s uppermost in my mind these days. All the endless details, half-filled boxes, scratched-out lists, and memories of these past years that grab me when least expected, bringing tears to my eyes. I’m sure that most of you have been there in one form or another. At this point, what better topic for my blog post?

I’ve always enjoyed books where the main character moves to a new home in an unfamiliar town. In the new spot, there’s the painting, organizing, exploring, and then… Stories with this theme seem to fit into about three categories, I’ve noticed. First, you have the ones where everything starts out hunky-dory, and then things start to go downhill quickly. Author Ira Levin was a master with this type, as exemplified in both Rosemary’s Baby and Stepford Wives. The protagonists’ new homes were great until they got involved with the suspicious and creepy neighbors. Gone Girl, by Gillian Flynn, could also fit into this group, since the move made by the main characters from New York to Missouri was certainly a catalyst, fracturing an already fragile relationship.

Another plot line related to moving would be where it’s touch and go for a while, but eventually the lives of the characters you love turn out better than anyone could ever expect in their wildest imaginations. Think Safe Haven, by Nicholas Sparks. Girl runs away from abusive husband and hides out in idyllic location near the ocean. She meets handsome new love interest with adorable kids and, of course, things begin to go awry as her past threatens to catch up with her. After a breath-taking couple of twists in the plot, well, I won’t go into detail in case you still wanted to read this one.

The third group seems to be the most realistic, where the main character relocates for an often heart-rending reason and works toward building life anew. The Year of Pleasures by Elizabeth Berg fits neatly into this groove, with the main character experiencing the entire gamut of grief, introspection, doubts, small delights, and eventual self-actualization.

As I tape up my last box and throw away the final list, I’ll certainly be hoping that Ira Levin won’t be orchestrating my personal story from the great beyond, since I don’t think that I’d make a very good Satanist or robot. I picture myself more an Elizabeth Berg sort of an individual. Once transplanted in my new home, I’ll have to really get on the stick with my writing if I’m ever going to get a whiff of that self-actualization stuff. Knowing that I can use my new experiences and emotions as an impetus in my work is certainly a draw, and I can hardly wait to get back to it.

 

Advantages and Challenges of Self-Publishing: Guest Post by Karen Musser Nortman

With the fifth book in her Frannie Shoemaker Campground Mystery series now available on Amazon, Karen Musser Nortman kindly agreed to reach out from Iowa to readers of Platform Number Four, with the real-life tale of her road to publication. Welcome, Karen!

 

Karen Musser Nortman: Advantages and Challenges of Self-Publishing

I have always wanted to write, but you know how it is—life intervened. When I was in my twenties, had young children, taught full time, and kept a very large old house, I read an article about how to make time for writing. The male author wrote that he had a dedicated office in his home and when the door was shut, no one was to bother him. His wife was directed to leave his lunch outside the door at a certain time. I remember thinking, “Yeah, right. Like that would work for me.”

So I spent twenty-two years as a secondary social studies teacher and another eighteen years in test development for a large testing company. However, I don’t feel those years were wasted as far as writing is concerned. My teaching taught me to do research and I have applied what I learned writing and editing test items to my mysteries. You need a defensible solution but also a number of what we called attractive distractors—other solutions that are feasible in order to keep the reader guessing.

When I retired four years ago, I was 68 years old. We love to camp, and one weekend in preparation for a trip, I was looking for something light to download to my Kindle. I thought it would be fun to read a mystery about camping. There weren’t any. But a campground is a perfect setting for a cozy mystery—a small limited area, eccentric characters, silly mishaps, and intervention from Mother Nature. So I began to write.

When I finished my first book, I began to hunt for an agent with the help of an online database. I sent out about 60 queries and had interest from several. When the agent for several well-known cozy series asked for the full manuscript, I was thrilled and sent it off. Meanwhile I read that a writer needs to allow six months for an agent to get back on a manuscript, another six months to a year for the agent to find a publisher, and another year to get the book published. At my age, that was too dang long. I looked into self-publishing through Amazon, just at that time making a big splash on the publishing scene. I withdrew my book from the agent’s consideration and dove in.

It’s a lot of work, but not impossible. I do all of my own formatting and contract for book covers. I have more control and the royalties are much better. The biggest problems are finding acceptance as a self-published writer and marketing. Unfortunately, there are a lot of bad self-published books out there. Book contests and sites like IndieBRAG Medallion help self-published books gain viability.

Marketing is my least favorite thing. But I have heard that even the traditional publishers, unless you are Michael Connelly or Stephen King, expect authors to do a great deal of their own marketing. Since my books all center on camping, I have a target audience. I use RV Facebook pages to post notices when I am doing a giveaway. (I don’t bombard those places with ads otherwise.) I also hand out a few books free each place we camp because word-of-mouth is still the best advertising. I got a message from a man once who said he heard about my books in an Australian campground! I have worked a great deal on my ‘platform’—my website, author pages, email list, a blog about our camping trips, and branding. I try to put out at least two new books a year.

Finally, I keep in contact with a few other indie authors. They are an excellent resource and we support each other’s books. I only do that for writers whose books I would recommend to friends. It’s a slow building process, but it is building. My sales have gotten to the point where it’s a nice little supplemental income. Am I sorry I self-published? Not for a moment!

Website

Karen’s Blog

Amazon Author Page

Herbs and Spices: an Affair of the Palate

I love having the power at my fingertips to lead a potentially good meal around the corner to becoming even better, with simple touches of just the right herbs and spices! What’s the difference between the two, you might ask…is it just the form they’re in, whether fresh or dried? Actually, it has more to do with their origins.

In doing some research to refresh my memory, I was reminded that herbs come from the leafy, green parts of the plants, while spices are derived from the bark, stems, root or bulbs. I’m always surprised if a friend admits to not using many of either, since my over-the-top collection of the dried varieties boasts about 50 little bottles neatly arranged alphabetically. Sounds like a lot, I know, but they all get used, eventually.

Fresh herbs are my preference, but they don’t last very long from the grocery store, and chives is the only one I have luck with growing, long-term. I can keep rosemary, basil, sage and parsley alive for a while, either outdoors or in, but the time is limited. I have a growing penchant for the pungent ones that arrive at the stores in their own little tubes, mixed with a little oil, like ginger, cilantro and basil. You may want to try these, if you haven’t already.

The dried combinations available in the supermarkets are tasty, too, like Italian, Greek and Moroccan seasonings containing herbs and spices that naturally lend just the right touch to foods from those areas of the world. The concoction that I wouldn’t want to do without, though, is Herbes de Provence. The high prices sometimes hint at being imported directly from France, but don’t let them fool you. The less expensive brands in the plain plastic containers work just fine, or you can make your own blend. As Peter Mayle points out in his book, Provence A-Z, there are rules in place that assure the resulting “recipe” for mixtures actually bottled in France: 26%, each, of oregano, rosemary and savory, followed by 19% thyme and 3% basil. I also enjoy a bit of lavender thrown in!

While using a pinch of that favorite “French” concoction recently, my mind started wandering to what “Herbs of Michigan” would contain, leading me to think about which ones might be tied the most closely to regional foods from this state. Better yet, what about a mixture particular to the Upper Peninsula, called “herbs da U.P.”, if you will! I’m sure the combination could vary widely, since immigrants including Finnish, French Canadians, Swedish and Cornish traditionally came to this part of the country to find work in the mines. A specialty that comes to mind first is the Cornish pasty (pictured below), that meat pie so well-known in the upper reaches of Michigan. Many pasty (rhymes with “lastly”) recipes call for onion, tarragon and thyme, which could make an interesting dried blend.

Based on your location or cooking areas of expertise, you may already have your favorites. You could even bottle your own personal blends, to have ready and waiting as you don your apron! It would be great to hear from readers about their herb and spice preferences.

Parallels Between Gardening and Writing

                                   beans cropped

Upon returning from my wonderful week of visiting my daughters and their families in Texas, I was struck by how many similarities there are between gardening and writing. Although I don’t feel compelled to wear a sun hat and gloves while I write (I do sometimes turn on my sun box to help prevent SAD or wear my fingerless stretch gloves for comfort at the keyboard!), the two activities surprisingly have many things in common:

  • We get to make something out of nothing and play “creator”, carefully placing seeds and seedlings or germs of ideas to tend and grow.
  • As gardeners or writers, we see the products of our efforts. Without sufficient watering, coaxing, trimming, thinking, researching or writing, we can expect poor outcomes.
  • In either activity, we often have to be brutal to get the desired results. Plants sometimes require cutting back, digging up and moving to achieve optimum growth, or to prevent vegetation from overtaking other struggling plantings. Writing stories and books often involves scratching sentences, sections and chapters, or possibly throwing out entire works to begin anew.
  • Those of us who work with our hands in the earth to care for growing things or lovingly write stories, books or articles to portray the ideas in our minds can experience the same rewards upon fruition. The work is finished (for that moment). Leaves glisten, flowers sparkle and plants stand tall. Words flow smoothly across the pages, and the paragraphs express exactly what we saw in our minds’ eyes.

There were recognizable changes to observe in the garden when I returned home to Michigan. Clematis had exploded with dark purple blossoms the size of small dessert plates. Pots of nasturtiums merrily twinkled with trumpets of yellow, orange and red. Vines of pole beans wore blossoms and finally reached the apex of the sapling tee-pee supporting them. Bush beans hid tiny, baby beans peeking from among the leaves. The black-eyed Susan presented buds on the cusp of unfurling. I wish I could say that my writing indicated that much progress on my return, but it was a “vacation”, with a great deal to accomplish in a short time. Many of my experiences, observations, notes and memories will eventually creep into my stories and books I’m sure.

As for the plants like the delphinium and the lilies that are already beginning to die down for their annual rest, how does that relate to creations of the pencil, pen or keyboard? I think of that process as a connection to recharging our “writerly batteries”. We might feel compelled to set aside quiet time to people-watch, research, complete select training in the craft of writing or attend conferences.

Culture Shock as Fodder for Writing

globe-460439_1280

An entire sub-genre of writing exists that zeroes in on people who leave their homes to set up housekeeping in radically different environments. The unfamiliar habits of the locals then make interesting and often amusing stories. Some of my favorites are offerings by Peter Mayle, Julia Child, Adam Gopnik and Frances Mayes. I love their books and often picture what it would be like to wake up and find myself in similar situations.

I’ve been thinking about this recently, while planning a trip to visit my daughters and their families in Texas. We lived there together, in what seems like another lifetime, after spending the beginning of our lives in Michigan. As the memories flood over me, I realize that I’ve lost sight of how alien everyday things sometimes seemed during those years. Many writers have experienced relocation to another culture, even if it’s not in France or Italy, and details of those experiences can add interesting twists to story plots.

For example, I remember the chuckles I received from several office mates one day in the “Lone Star State”, when I referred to stopping at the “party store for pop”. At the same time, I never understood why Texans called all soda pop “Coke”, no matter what the label said. At the end of a long workday, “See you guys” contrasted sharply with, “Bye, y’all”. There were differences wherever I turned. Due to the “Blue Laws”, sale of clothing on Sundays, at that time, wasn’t allowed, and many counties were “dry”, meaning they didn’t sell alcohol at all. Of course, the rich drawls and twangs took some getting used to, especially when my older daughter tried them on as her own. I had always thought of my speech as being just plain, but was told by my new friends that I spoke with a “funny accent”!

Travel outside the borders of one’s own state isn’t even required. Within Michigan, people living in the Upper and Lower Peninsulas have interesting differences in ways of speaking and in the foods they enjoy, just to name a few idiosyncrasies. If you’ve never tried cudighi, a type of sausage, or the meat pies called pasties, you still haven’t lived.

Do you think anyone will notice if I take notes during my Texas visit? I’ve forgotten so many of the cute little quirks and need a refresher for future writing!

For books about moves to parts unknown, my “Reading Lists” page details several authors with one of their titles, each, for starters.

There’s Magic in Them Thar Numbers!

by Becky Michael   

I believe that numbers do embody something magical, which is probably a reason that the name Platform Number 4 felt like a good omen for my new blog. Countless authors of books and stories have based their titles or premises on something to do with numbers. Names of books range all the way from One Flew Over The Cuckoo’s Nest (Ken Kesey) to One Hundred Years of Solitude (Gabriel Garcia Marquez), with Catch-22 (Joseph Heller) and Nineteen Minutes (Jodi Picoult) situated somewhere in between. They also include books for kids like Tales of a Fourth Grade Nothing (Judy Blume) and The 500 Hats of Bartholomew Cubbins (Dr. Seuss). The use of numbers as an actual concept is often quite subtle, sometimes showing up in novels built around elaborate codes and intriguing clues. Stories about multiples, likes twins and triplets, also seem to have wide appeal.

I never excelled in math, but numbers have always drawn me in like a magnet. I appreciate the logic, order and preciseness they can offer, or the mystery that often surrounds them. Accordingly, that same idea can help to build a framework for an author’s creation. My early chapter book, for which I’ve recently completed yet another full edit, features a little girl who’s hooked on numbers in the slightly OCD sense. I’ve had fun showing how powerful numbers are for her, including the negatives. My lucky number as a child wasn’t 4, but another one close enough to “touch”, and it remains a favorite to this day.

Thoughts on writing, getting published, and enjoying life’s everyday pleasures…

-by Becky Michael   

Join me for a cup of tea, coffee or something stronger over a discussion of some possible shared interests before jumping back onto the road of life!

When I began planning this blog aimed at enhancing my writing platform, I came across the photo above that seemed to fit my needs in so many ways. In the first place, it was auspicious to find such a lovely photograph carrying the word “Platform”. Secondly, writing is actually my fourth career or “calling”. I spent many years as a full-time mother, followed by training and employment as an office administrator. I then furthered my studies to work as a teacher, happily ending up as a full-time writer. All of my life experiences up to this point are now funneled into this creative endeavor. Finally, I love the symbolism in the picture, of the solid ground where I now stand, with the towering mountain nearby still to be climbed.

Maybe you’re also working toward publication after age 50. Could be that you’re a retired educator, too, or enjoy reading, gardening, cooking or collecting vintage items. I’d love to see comments on my musings and hear from others with similar tastes, or with completely different outlooks to pique readers’ and my interests!