Everything but Sinatra

On steamy days like these, when the temperatures reach the high 90s, I wait until just before dark for my walk. The humidity hovers, and I have to push myself to reach my usual brisk pace. Water bottle held in one hand and phone in the other.

I pass familiar buildings, inhale the aromas from nearby restaurants, and check on the abundant brown rabbits that scamper in and out of bushes near homes and businesses. Happy to reach the halfway mark, I then turn.

Last evening, that change in direction delivered a clear view of the pinkish-orange platter of sun beginning its dip below the edge of the world. Even warmer on that leg of the walk, I then stopped for a swig of water.

Heading past a construction zone shut down for the day, I crossed the pavement and was met by a delicious breeze funneling along the street. The air was much cooler, and the rest of my walk would be easier.

When I stepped onto the sidewalk at the other side, I heard it. Saxophone music. It didn’t seem electronic, but more like a real person playing an actual saxophone. The notes, sounding like practice or scales, emanated from a four-story parking garage set in the block between a large church and library. I stopped, mesmerized.

Who could it be and why? Unusual acoustics. My senses strained on overload, while I looked and listened. Pastel fingers of sunset reaching from the horizon pointed at a slice of moon visible in the sky, above. The scents of miniature roses and squat rosemary bushes tickled my nose.

As I stood, imagining the musician, the casual noodling evolved into clear, plaintive melodies. One of those movies where lovers share dinner on a rooftop garden amid asphalt and skyscrapers came to mind. That song. I knew that song. Humming along, the words took shape in my head. “Fly me to the moon…hold my hand.”

Romantic, memorable and haunting. I try to forget, but thought about you, while I continued the journey back home.