I recently wrote about my “fantastic find” at a bookstore of a signed copy of Hattie the Backstage Bat by children’s author, Don Freeman, which also sports an original illustration! This made me curious to find out more about the person, himself. I learned that he had written an autobiography as a young man before he and his wife had become published in the world of children’s literature.
The book, Come One, Come All, tells about his somewhat unusual childhood in California and his very early dreams about moving to New York and becoming an artist. It recounts his later struggles in New York, during the Depression, first supporting himself by playing the cornet in dance bands. We follow Mr. Freeman as he finally squirrels away enough savings to take painting classes with the inspirational artist, John Sloan.
Eventually, Don Freeman seems to find his artistic niche behind the scenes in the world of the theater. Some of his articles and illustrations were published in newspapers such as the New York Herald Tribune, the New York Times, and PM, in addition to making appearances in publications such as Stage and Theater Magazine.
Readers interested in the heady atmosphere of New York leading into the early 1950’s will find this to be a very interesting window into that period. The book ends happily with Don and Lydia, a young woman he had met earlier in California, getting married. We say goodbye to them as they are both experiencing their first tastes of professional success. What really grabs me about this well-written and charmingly illustrated book is that they had no inkling at the time how successful and admired they would later become in the realm of children’s literature.
This 244-page book was not a simple one to find! A few copies were available through Amazon or eBay for hundreds of dollars, each. That wasn’t going to happen, as much as I wanted to read it. Hurrah for WorldCat, the inter-library option, and I did find the book listed there!
The copy that I borrowed was through a university’s library and has been rebound, so no longer wears the interesting, illustrated cover shown above. No matter, since this copy DOES have something else that I find to be so intriguing. Tucked into the back is what I imagine to be the original card! This chronicles check-out dates in the 50’s through 60’s and being “mended” in the early 70’s. The borrowers’ names have been blacked-out, as shown, below. I love those old library cards and treasure a few used books in my personal collection that contain these. Digital means of book management are efficient, but sometimes I feel sad that we’ve lost a certain sense of history in the transition.
It began as one of those dreams where the setting and events that were unfolding seemed simultaneously familiar yet unfamiliar. Instead of watching the vision like a movie, I was taking part and looking out through the woman’s own eyes toward three children gathered around a kitchen table. A snowy scene beyond the window was as well-known to me as the back of my hand.
Platform Number 4 