Craft of Writing

Thankful for…my critique group!

~ Becky Ross Michael ~ Leave a comment

frisco-square-tx

This past year has brought many changes to my life. The culmination is that I now live in a different part of the country. The main advantages I currently enjoy are living closer to my children and grandchildren, along with the MUCH milder wintertime weather! On a more negative note, I left behind familiar people, places, and activities. Luckily, the memories stay with me wherever I go and also offer the occasional writing topic.

In efforts to make the most of my new location and give my writing a boost, I joined the writing critique group offered through my local library. That was one of the best choices I have ever made. This type of in-person work group may not be for everyone, but if you have trouble finding motivation or direction in your writing, you may want to give it a try!

The composition of this particular community of writers varies and flows from one month to the next, but has a basic structure of members usually in attendance, embracing those who write fiction or non-fiction for ages childhood to adult. Members include those who are published through various modes, or are as yet unpublished. We take turns sharing portions of our works, while members offer praise and helpful suggestions. The tone is positive and supportive, even when questions or inconsistencies about the pieces are being discussed. Celebrations of our successes are common. I always leave the meeting feeling energized, motivated and renewed.

I’ve taken part in on-line critiques in the past and have certainly benefitted. The personal aspect of seeing other writers face-to-face appeals to me even more. If you haven’t tried a writing group, I hope you’ll consider joining one. The configuration could vary in membership numbers and writing types involved, but I imagine that most provide the crucial aspect of a positive atmosphere.

Perhaps your geographical area doesn’t yet offer this option. You could start a group yourself, with the library being the logical place to display an announcement. Several sites on the Internet contain ideas for starting and running successful writing groups. In addition, select chapters of Sisters in Crime and the Society of Children’s Book Writers and Illustrators offer opportunities to share writing with other members, and you could also check out those possibilities online.

Have a wonderful holiday season, filled with opportunities to read enjoyable books and stories, and to write about the topics, people, and characters near to your hearts!

Finding Love in Unimaginable Places

~ Becky Ross Michael ~ 4 Comments

Remember that heart-wrenching sensation when a beloved grandparent died, or that excruciating pain, like a vise around the head, after a parent succumbed to a long illness? We’ve all lost someone important. Time moves on. The sharp sting of that separation surprisingly begins to ease. Unfortunately, some of the good memories may disappear along with the pain. Mementos, such as pictures, or favored objects, like books, furniture, and even recipes, may help to hold a dear one’s essence close. I’ve recently discovered another unexpected avenue.

I’m currently working on a revision of my picture book, “Rhus Juice”. The tale is based on a true story my dad shared with me from his own childhood. It tells of a hot Michigan summer and a little boy’s fears that the lemon-flavored drink his father plans to make with sumac might be poisonous! When I began composing this some years back, I looked through pictures from that time, referred to a list of names and dates in an old family Bible, and even listened to a recording of Dad recounting the events.

“Life” got in the way, work and other writing took precedence, and “Rhus Juice” was set aside. I love the story, though, and it recently pulled me back. Now looking at the book with fresh eyes, the lives portrayed seem much clearer than before. Through it, I revisit my hometown of Tawas City, Michigan, and ride my blue Schwinn on bumpy sidewalks once again. Peeking into my dad’s childhood home, Grandpa’s voice booms and Grandma’s sweet smile lights up the room.

How wonderful, to see Dad’s ten-year-old grin and to anticipate his thoughts. The act of writing has done this for me. The love flows from all of them, bringing me closer than I’ve been in years!

*****

Today I’m participating in a group blogging! WOW! Women On Writing has gathered a group of blogging buddies to write about finding love in unimaginable places. Why this topic? We’re celebrating the release of Michael French’s twenty-fourth novel. Once Upon a Lie (Terra Nova Books) is an exploration of the secrets families keep, and the ways those secrets can tear a family apart. Visit The Muffin (http://muffin.wow-womenonwriting.com) to read what Michael has to say on finding love in unexpected places  and to view the list of all my blogging buddies. Visit Michael’s website (http://www.michaelrfrench.com/) to find out more about the author.

Dealing with Personal Issues through Our Characters

~ Becky Ross Michael ~ 2 Comments

 

 

Spring is the season of renewal and new growth. It can also be a time to reflect on pleasant memories or to revisit excruciating challenges that still haunt us. I recently read an intriguing article, “Dangerous Writing: Go to Your Battlefield”, by author and teacher, Tom Spanbauer. (Poets & Writers, January/February 2016). At the risk of being too general, he speaks about digging deeply into ourselves, to address difficult topics that are important to us, in order to shape our fictional works. His words certainly opened my eyes.

Throughout the course of Spanbauer’s piece, I realized some important facts about my own work. As most writers of fiction, I borrow from reality and include snippets of this person and that individual in the characters I attempt to bring alive. What I hadn’t faced is that some of their problems, issues, and challenges are my own, and I may be using the writing to work through them.

Unfortunately, I don’t think that I’ve brought any of these  scenarios full circle to solutions. Guess that I’ve danced on the edge of danger, but haven’t really dived in. I plan to revisit my own “dangerous writing” and push it to the limit, getting everything I can out of the telling. I hope that the resulting characters will appear even more realistic and some personal answers will materialize, as well.

Spring beckons, along with buds erupting on trees, flowers poking through dark earth, and birds singing new songs. We don’t have to “start over” to begin again. Whatever we face might be just a little easier, a touch sweeter, or a bit brighter by giving in to the season and wringing it for all it has to offer. Use it to the extent of its worth. After all, we don’t have forever…do we?

Why I Liked Trixie Belden More Than Nancy Drew (and why it still matters)

~ Becky Ross Michael ~ 7 Comments

Trixie Belden

Let’s face it…books about both characters have withstood the test of time. As a kid, I wanted not only to immerse myself in stories ABOUT Trixie, but I also desired to BE her. Why Trixie and not Nancy? I enjoyed books about them both and still have a wonderful memory of sitting in my classroom at Zion Lutheran Elementary, in Tawas City, Michigan, reading a version of The Hidden Staircase that was “vintage” even at that point in time, in the early 60’s.

I don’t really remember a specific place where I read about Trixie…it just seemed, once I digested the first episode of her life, that “she” was always there with me…at home, in school, riding my bike, walking over to a friend’s house, or worrying about something in bed at night.

Why, indeed, did Trixie grab my imagination and thoughts more than Nancy? I’ve given this some thought, recently, and here are several ideas and memories:

  • A bike was her common mode of transportation, which I could relate to, given my age. She sometimes rode horses, also, which I was always too apprehensive to try. Trixie sometimes envied her friends who owned those animals.
  • Her hair was cut short, which was how I wore my own (by default…it’s a long story), after early childhood. I always imagined that Trixie would have liked longer hair like her friends, Honey Wheeler and Di Lynch.
  • She had a best friend, Honey, who she could count on, through thick and thin. They did have a few misunderstandings, as I remember, but always worked things out. My “bestie” changed a few times over the years, and although I tended to be a loner, that relationship was always very important to me.
  • Completion of certain household chores was always expected of Trixie, which she often disliked. I hate to admit that I was sporadic in my organizational skills, and ranged from “pig-like” qualities in my bedroom to obsessive repeated vacuuming of our living room.
  • She had some trouble in math, to which I could relate after I hit long division!
  • Jim seemed like the model partner to me. He was dependable, nice looking, and gave Trixie plenty of space to be her own person. In several of the later books, Trixie seemed to struggle a bit with just how to deal with her feelings for Jim.
  • She was very brave and actually solved mysteries, which I could only imagine someone doing in real life. I admired that Trixie and Honey already knew what they wanted to be when they “grew up”, with their goals of co-owning a detective agency.
  • She dealt with some fears and worries, to which I could always relate (and still do!).

What does my list tell me? Why do I care, and how can this make me a better writer? It appears that I celebrated our similarities AND our differences. In the end, I think that believable characters are the answer. Some people might want to read about individuals like themselves, while others may be attracted to the more fantasy appeal of characters who are very different or exotic. Either way, REAL is the key word, in my opinion.

I didn’t know just what it was at the time, but I realize after all these years that Nancy seemed more wooden and too perfect. I want to peek into the life of someone with positive qualities and faults, and I imagine that’s true for many readers. I’m planning to keep that in mind, from now on, when fashioning my own imperfect characters!

Definition of “Holiday”

~ Becky Ross Michael ~ 2 Comments

 

hol-i-day   /ˈhäləˌdā/
noun
  1. 1.
    a day of festivity or recreation when no work is done.

I found this amusing definition for “holiday” on the Internet, giving me a bit of a chuckle. Many of us are observing holidays, but I’m guessing that a great deal of work is still being done! In fact, I’m under the impression that many writers feel even more inspired at this time of year, due to the changing seasons, observance of religious traditions linked to childhood memories, and emotions carefully hidden that struggle to resurface.

Holidays can also highlight certain literature-related behaviors. Many of us purchase books as gifts to please others (maybe those are volumes we’d actually rather read ourselves?), seek out other cutesy presents for the bibliophiles on our lists (often significantly over-priced), or finally resort to life-saving gift certificates when all else fails (whew!).

Books set during the holidays are widely popular. To meet her readers’ desires, Janet Rudolph yearly presents an extensive list of mystery books set during the holidays on her blog, Mystery Fanfare. I’ve happily tried new titles discovered there, and been pleasantly reminded of vintage offerings I’d enjoyed in the past.

Whatever “holidays” meant for you, I hope that yours were pleasant, safe, and productive!

As a small New Year’s gift, I’m offering my short story, “Romantivores”, free for Kindle through Amazon, from January 8-12. This is a perfect way for readers to meet Jonathan and Solveig, the main characters of my still-to-be-published book by the same title!

To learn more about my “writerly life”, check out the author interview with me, found at “Tyree Tomes – Here There Be Dragons!”. 

 

 

Plentiful Pumpkins!

~ Becky Ross Michael ~ 1 Comment

 

It’s that time of year again, where everywhere you turn, there’s a pumpkin meeting your gaze. Many of these winter squash are decorated as jack-o’-lanterns, while some of the plainer varieties repose as decorations that are more refined, or as actual food options at the markets. Often thought of as a vegetable, pumpkin is actually a fruit, because it develops from the flower and is the part of the plant that contains the seeds. On the other hand, vegetables include the leaves, stems, buds and roots of plants.

In recent years, pumpkins of varying colors beyond the traditional orange have been developed, with hybrids showing off shades of blue, white, tan, pink, red and green. No matter the hue, this fabulous fruit ripens throughout the summer and will normally reach its full size by September or October, thus the “harvest” time of year that pumpkin evokes.

How can authors use pumpkins in their writing? Setting comes to mind first, of course. A few well-placed pumpkins in your story or book can tell readers that it’s late summer or fall, whether the action is taking place before Halloween or well after, and might even offer a hint as to where in the world your writing is set. Using designer colors for the pumpkins in your novel? Then your book is probably set sometime after about 2005, when these became more widely available.

Pumpkins might also be used to tell readers something about your characters. Want to show that your leading lady or man is earthy, a hard worker, and probably likes to cook or bake? What better way than to show them hoeing in the pumpkin patch and getting a little dirt under their nails, or cooking up some pumpkin to use in a favorite recipe. Picture a couple pulling into the farmers market and lovingly running their interlaced fingers over the pumpkin options. Don’t tell me that scene couldn’t express fecundity, possible sexual repression or just raw sexual desire!

I’ve even used this member of the cucurbit family in my novel, Romantivores, which I’m currently revising. This portion of the book takes place in November, so I didn’t want any hint of jack-o’-lanterns hanging around. I’ve chosen to employ simple white pumpkins to line the sidewalk leading up to the stone building where one of my protagonists works. Not only can these white wonders indicate the time of year, but I also wanted them to suggest a less relaxed or homey atmosphere than their orange siblings, since there’s danger lurking nearby that is yet unknown to my main characters.

Last, but certainly not least, what about those books that include lists of recipes or deftly weave directions for tasty treats throughout their pages? Recipes for pumpkin can fill a cook’s needs throughout the day, from breakfast pancakes to tummy-warming soups at lunch or sweet desserts to finish off a delicious dinner. One of my favorite uses for pumpkin appears below. I came upon this easy idea one day when the bananas on my counter weren’t ripe enough for my usual lunchtime smoothie, and I found a can of pumpkin hiding in the dark recesses of my kitchen cupboard.

SQUOOTHIE (Squash Smoothie:)

1 cup cold almond milk (or your favorite milk product)

½ cup pumpkin (chilled is best)

1 tablespoon honey, or your choice of sweetener

¼ teaspoon vanilla

dash of cinnamon or pumpkin pie spice

Blend and enjoy!

Options: Ice, banana, peanut butter, cumin, bee pollen, or yogurt in place of milk

 

Uprooted and Transplanted: ‘Moving’ and ‘Starting Over’ as Themes in Writing

~ Becky Ross Michael ~ Leave a comment

roots by lake superior

I’m moving to a different city in Michigan’s Upper Peninsula in a few weeks, so that’s uppermost in my mind these days. All the endless details, half-filled boxes, scratched-out lists, and memories of these past years that grab me when least expected, bringing tears to my eyes. I’m sure that most of you have been there in one form or another. At this point, what better topic for my blog post?

I’ve always enjoyed books where the main character moves to a new home in an unfamiliar town. In the new spot, there’s the painting, organizing, exploring, and then… Stories with this theme seem to fit into about three categories, I’ve noticed. First, you have the ones where everything starts out hunky-dory, and then things start to go downhill quickly. Author Ira Levin was a master with this type, as exemplified in both Rosemary’s Baby and Stepford Wives. The protagonists’ new homes were great until they got involved with the suspicious and creepy neighbors. Gone Girl, by Gillian Flynn, could also fit into this group, since the move made by the main characters from New York to Missouri was certainly a catalyst, fracturing an already fragile relationship.

Another plot line related to moving would be where it’s touch and go for a while, but eventually the lives of the characters you love turn out better than anyone could ever expect in their wildest imaginations. Think Safe Haven, by Nicholas Sparks. Girl runs away from abusive husband and hides out in idyllic location near the ocean. She meets handsome new love interest with adorable kids and, of course, things begin to go awry as her past threatens to catch up with her. After a breath-taking couple of twists in the plot, well, I won’t go into detail in case you still wanted to read this one.

The third group seems to be the most realistic, where the main character relocates for an often heart-rending reason and works toward building life anew. The Year of Pleasures by Elizabeth Berg fits neatly into this groove, with the main character experiencing the entire gamut of grief, introspection, doubts, small delights, and eventual self-actualization.

As I tape up my last box and throw away the final list, I’ll certainly be hoping that Ira Levin won’t be orchestrating my personal story from the great beyond, since I don’t think that I’d make a very good Satanist or robot. I picture myself more an Elizabeth Berg sort of an individual. Once transplanted in my new home, I’ll have to really get on the stick with my writing if I’m ever going to get a whiff of that self-actualization stuff. Knowing that I can use my new experiences and emotions as an impetus in my work is certainly a draw, and I can hardly wait to get back to it.

 

Advantages and Challenges of Self-Publishing: Guest Post by Karen Musser Nortman

~ Becky Ross Michael ~ 5 Comments

With the fifth book in her Frannie Shoemaker Campground Mystery series now available on Amazon, Karen Musser Nortman kindly agreed to reach out from Iowa to readers of Platform Number Four, with the real-life tale of her road to publication. Welcome, Karen!

 

Karen Musser Nortman: Advantages and Challenges of Self-Publishing

I have always wanted to write, but you know how it is—life intervened. When I was in my twenties, had young children, taught full time, and kept a very large old house, I read an article about how to make time for writing. The male author wrote that he had a dedicated office in his home and when the door was shut, no one was to bother him. His wife was directed to leave his lunch outside the door at a certain time. I remember thinking, “Yeah, right. Like that would work for me.”

So I spent twenty-two years as a secondary social studies teacher and another eighteen years in test development for a large testing company. However, I don’t feel those years were wasted as far as writing is concerned. My teaching taught me to do research and I have applied what I learned writing and editing test items to my mysteries. You need a defensible solution but also a number of what we called attractive distractors—other solutions that are feasible in order to keep the reader guessing.

When I retired four years ago, I was 68 years old. We love to camp, and one weekend in preparation for a trip, I was looking for something light to download to my Kindle. I thought it would be fun to read a mystery about camping. There weren’t any. But a campground is a perfect setting for a cozy mystery—a small limited area, eccentric characters, silly mishaps, and intervention from Mother Nature. So I began to write.

When I finished my first book, I began to hunt for an agent with the help of an online database. I sent out about 60 queries and had interest from several. When the agent for several well-known cozy series asked for the full manuscript, I was thrilled and sent it off. Meanwhile I read that a writer needs to allow six months for an agent to get back on a manuscript, another six months to a year for the agent to find a publisher, and another year to get the book published. At my age, that was too dang long. I looked into self-publishing through Amazon, just at that time making a big splash on the publishing scene. I withdrew my book from the agent’s consideration and dove in.

It’s a lot of work, but not impossible. I do all of my own formatting and contract for book covers. I have more control and the royalties are much better. The biggest problems are finding acceptance as a self-published writer and marketing. Unfortunately, there are a lot of bad self-published books out there. Book contests and sites like IndieBRAG Medallion help self-published books gain viability.

Marketing is my least favorite thing. But I have heard that even the traditional publishers, unless you are Michael Connelly or Stephen King, expect authors to do a great deal of their own marketing. Since my books all center on camping, I have a target audience. I use RV Facebook pages to post notices when I am doing a giveaway. (I don’t bombard those places with ads otherwise.) I also hand out a few books free each place we camp because word-of-mouth is still the best advertising. I got a message from a man once who said he heard about my books in an Australian campground! I have worked a great deal on my ‘platform’—my website, author pages, email list, a blog about our camping trips, and branding. I try to put out at least two new books a year.

Finally, I keep in contact with a few other indie authors. They are an excellent resource and we support each other’s books. I only do that for writers whose books I would recommend to friends. It’s a slow building process, but it is building. My sales have gotten to the point where it’s a nice little supplemental income. Am I sorry I self-published? Not for a moment!

Website

Karen’s Blog

Amazon Author Page

Parallels Between Gardening and Writing

~ Becky Ross Michael ~ 3 Comments

                                   beans cropped

Upon returning from my wonderful week of visiting my daughters and their families in Texas, I was struck by how many similarities there are between gardening and writing. Although I don’t feel compelled to wear a sun hat and gloves while I write (I do sometimes turn on my sun box to help prevent SAD or wear my fingerless stretch gloves for comfort at the keyboard!), the two activities surprisingly have many things in common:

  • We get to make something out of nothing and play “creator”, carefully placing seeds and seedlings or germs of ideas to tend and grow.
  • As gardeners or writers, we see the products of our efforts. Without sufficient watering, coaxing, trimming, thinking, researching or writing, we can expect poor outcomes.
  • In either activity, we often have to be brutal to get the desired results. Plants sometimes require cutting back, digging up and moving to achieve optimum growth, or to prevent vegetation from overtaking other struggling plantings. Writing stories and books often involves scratching sentences, sections and chapters, or possibly throwing out entire works to begin anew.
  • Those of us who work with our hands in the earth to care for growing things or lovingly write stories, books or articles to portray the ideas in our minds can experience the same rewards upon fruition. The work is finished (for that moment). Leaves glisten, flowers sparkle and plants stand tall. Words flow smoothly across the pages, and the paragraphs express exactly what we saw in our minds’ eyes.

There were recognizable changes to observe in the garden when I returned home to Michigan. Clematis had exploded with dark purple blossoms the size of small dessert plates. Pots of nasturtiums merrily twinkled with trumpets of yellow, orange and red. Vines of pole beans wore blossoms and finally reached the apex of the sapling tee-pee supporting them. Bush beans hid tiny, baby beans peeking from among the leaves. The black-eyed Susan presented buds on the cusp of unfurling. I wish I could say that my writing indicated that much progress on my return, but it was a “vacation”, with a great deal to accomplish in a short time. Many of my experiences, observations, notes and memories will eventually creep into my stories and books I’m sure.

As for the plants like the delphinium and the lilies that are already beginning to die down for their annual rest, how does that relate to creations of the pencil, pen or keyboard? I think of that process as a connection to recharging our “writerly batteries”. We might feel compelled to set aside quiet time to people-watch, research, complete select training in the craft of writing or attend conferences.

Culture Shock as Fodder for Writing

~ Becky Ross Michael ~ 2 Comments

globe-460439_1280

An entire sub-genre of writing exists that zeroes in on people who leave their homes to set up housekeeping in radically different environments. The unfamiliar habits of the locals then make interesting and often amusing stories. Some of my favorites are offerings by Peter Mayle, Julia Child, Adam Gopnik and Frances Mayes. I love their books and often picture what it would be like to wake up and find myself in similar situations.

I’ve been thinking about this recently, while planning a trip to visit my daughters and their families in Texas. We lived there together, in what seems like another lifetime, after spending the beginning of our lives in Michigan. As the memories flood over me, I realize that I’ve lost sight of how alien everyday things sometimes seemed during those years. Many writers have experienced relocation to another culture, even if it’s not in France or Italy, and details of those experiences can add interesting twists to story plots.

For example, I remember the chuckles I received from several office mates one day in the “Lone Star State”, when I referred to stopping at the “party store for pop”. At the same time, I never understood why Texans called all soda pop “Coke”, no matter what the label said. At the end of a long workday, “See you guys” contrasted sharply with, “Bye, y’all”. There were differences wherever I turned. Due to the “Blue Laws”, sale of clothing on Sundays, at that time, wasn’t allowed, and many counties were “dry”, meaning they didn’t sell alcohol at all. Of course, the rich drawls and twangs took some getting used to, especially when my older daughter tried them on as her own. I had always thought of my speech as being just plain, but was told by my new friends that I spoke with a “funny accent”!

Travel outside the borders of one’s own state isn’t even required. Within Michigan, people living in the Upper and Lower Peninsulas have interesting differences in ways of speaking and in the foods they enjoy, just to name a few idiosyncrasies. If you’ve never tried cudighi, a type of sausage, or the meat pies called pasties, you still haven’t lived.

Do you think anyone will notice if I take notes during my Texas visit? I’ve forgotten so many of the cute little quirks and need a refresher for future writing!

For books about moves to parts unknown, my “Reading Lists” page details several authors with one of their titles, each, for starters.